Press Relase: End of April Beginning of May

Paul Ash Comedy

For General Release:
These next few weeks many great opportunities are available to see Paul Ash in a variety of differently styled shows.

Monday April 22nd

There’s Something Funny Going on at Blue Dog

There's Something Funny Going On At Blue Dog

There’s Something Funny Going On At Blue Dog

This weeks show is taken over by red heads! Save for a few non -reds you can expect an almost all red head show!
Hosted by Mike Costello with Amber Harper-Young, Paul Ash, Kate Conner, Tobin Thompson, Emma Wilkie, Leonard Yelle and Headliner Jess Salomon!
9pm, Blue Dog, 3958 Boulevard St-Laurent, Montreal, Quebec.  PWYC.  Beer special: 2 Sleemans for 8$
Stick around afterwards for great tunes from the 70’s-90’s! (but mostly 80’s)

Tuesday April 23rd

Funny Side Funny Side of Parenting

8(ish)pm

Liquid Lounge, 5028 Sherbrooke West, Montreal, QC.  PWYC.

A standup comedy show for parents, or anyone who would like to be a parent someday, or anyone who has ever had a parent.  Featuring Kate Conner, Mike Costello, Paul Ash & Leah Zylbering.

Thursday, April 25th

Punchlines

8:30pm at CFC
6388 rue St. Hubert, Montreal, Quebec.  $5So for those of you who don’t know the drill, we’ve got some hip hop acts, we’ve got some comedy acts, and a shit load of fun!

Punchlines

Punchlines

Hosted by Paul Baluyot
Featuring live painter Sharon Ep1c

COMEDY LINE UP:
Emma Wilkie
Paul Ash
Matt Shury
HEADLINER
Mo Arora

HIP HOP LINE UP:
Defective Collective
The Art Cons
Clarity
SHOW CLOSER
Cannonhead

Friday, April 26th

The Show of Champions

Chez GeekChez Geek: The Show of Champions (First Annual COMEDY SHOW)

PRIVATE SHOW (which means you can bring your own BEER or DRINKS!)

host:  MATT SHURY (Toronto)

  • SCOTT CARTER (Vancouver)
  • JASON HATRICK (Young Guns of Comedy, Montreal)
  • PAUL ASH (Halifax, Creator of BattleCOM / GladiaCOM)
  • TIM RIEL (Ottawa)
  • KRISTIAN RHYMER (Toronto)

Chez Geeks: 1663 St-Denis, Montreal, Quebec.  Only 10$ for a night of laughs you’ll never forget.

RSVP NOW- Limited Seating for this Private Event!
If you are doing FNM and PRE-RELEASE of Dragon’s maze, you get 5$ off! (it’s a perfect filler until the Midnight Release)

Friday, May 3rd

BattleCOM

BattleCOM

BattleCOM

10:30pm, Comedy Nest, Pepsi Forum ( corner of St-Catherine / Atwater, at Atwater Metro)

The latest installment of this epic geek showdown of comedy.

6 performers face off against each other to see who can gain the audience’s love and support.  It’s not needy at all.

Two of the battlefields are:
1) What’s the creepiest thing about MMO games?
2) What is the meaning of life?

Saturday, May 4

Special May the Fourth birthday extravaganza for the amazing artist Sharon Ep1c.  Private Party, dirty BattleCOM, super entertainment.

Ep1c

(Sorry, by invite only)

Tuesday May 7th

Kick_Ash_light.pngKick Ash Comedy Show (the rebirth)

Back by popular demand, in a much better location, it’s the seminal Montreal comedy open mic.

Launching this now bi-weekly comedy show is
host: DAN DERKSON

  • Mo ARORA
  • Scott CARTER
  • John ST-GODARD
  • Molly BRISEBOIS
  • Emma WILKIE
  • Darren HENWOOD

and closing PAUL ASH

Still free, now at Liquid Lounge, 5028 Sherbrooke West, Montreal, QC

 Wednesday- Friday May 8th & 10th

GAVIN Stephens & Friends NERDY & DIRTY COMEDY TOUR

N&D3 smallFeaturing Gavin Stephens
with: Dan Derkson
Paul Ash
Adam McFawn
Tim Riel
David Acer
mini-BattleCOM

Wednesday, 8pm
Comedy Nest Montreal, Pepsi Forum
$12 / $8 for students (or those in costume)

Friday, 9pm
Mavericks, 221 Rideau Street, Ottawa, Ontario
$15

May 9th to 12th

OTTAWA COMICCON

For the weekend encompassing Thursday May 9th to Sunday May 12th Paul Ash and Dan Derkson will be moderating panels at the Ottawa ComicCon!  In addition to that, we’ll be demonstrating BattleCOM with two minibattles (with special guests Ian “Futurama” Boothby and Sean “Wordburglar” Jordan and maybe more!)

Ottawa ComicCon

Watch @egoslut and @paulashcomedy on Twitter for updates.

How To BattleCOM

May June 2013

May June 2013

Now that BattleCOM is a monthly English occurrence at The Comedy Nest, GladiaCOM is soon to launch for French and the Ottawa ComicCon will feature some BattleCOM, I guess it’s time to let people know what to expect when / if they participate in one.

Battle/Gladia-COM is a new form of comedy show.  Basically you have two performers onstage trying to out do each other for the audiences approval (and the ability to move up).  This article will serve as a primer for those who are participating their first time, or acts looking to critically examine the material they’re creating for a BattleCOM.  We’ll cover common misconceptions, writing strategy, tactics and presentation.

The Geek Battle of Comedy Shows

The Geek Battle of Comedy Shows

MISCONCEPTIONS

FACTS ARE JOKES
First misconception is that BattleCOM is a debate show – it’s not.  The primary purpose is not to defeat your opponents’ choices but to be more entertaining while arguing yours.  To that end, facts are irrelevant.

Where facts are important is knowing your audience.  The majority of people who come out to a BattleCOM (be it a Nerd Show, a Sports Show or a Dirty Show version) are there because they’re familiar with the subject matter.  Being blatantly wrong or misinformed on some major fact could potentially alienate you to the audience, or cause a significant enough disconnect for them to not catch the funny.  Given the brevity of your time to impress the audience, a misstep could be your final step.

ALL THE TIME IN THE WORLD
“Sure the show is fast paced, but I can pop out a couple of SSP (setup setup punchline) jokes when I have the mic.”  Wrong.  The goal is to get the audience laugh as quickly and as often as you can – in under 90 seconds (approximately).

“I have to explain my point of view.”  No.  Have faith in your audience.  Your choice is presented when you’re introduced, assume knowledge from the crowd.  In other words, don’t bore them / waste time explaining what is obvious.

Enter the arena with confidence, and speed.  Don’t wait for your full name, and your full choice to be declared before heading to the stage.  Grab the stage, and the audience’s attention by being dynamic in your entrance.

BattleCOM

BattleCOM

“I need to establish myself / my character each time I have the mic.”  Don’t underestimate your audience – establish yourself during the reverse curtain call and thumbnail everything if you feel the need to establish yourself.

So the primary misconceptions deal with the Battlers approach and how much time can be wasted onstage.  (That answer is “none”.)

WRITING STRATEGY

CHOICE OF VIEW 
Before you can even start writing, you need to choose your point of view for the various Battle Fields.  Once the topic is revealed, there is a race to get your choices to the Battle Marshal (moderator) – you don’t want to write too much then find out someone else has taken the point of view (pov) you planned on.  These should factor into your choice:

  1. Unexpected.  It’s good to keep the other Battlers on their toes with your choice, but you don’t want to go too obscure so the audience wouldn’t know what you’re talking about.
  2. Passion.  Find something that you can be passionate about, because if they don’t identify with your pov, they can at least identify with your emotive context.
  3. Be specific.  If you’re muddled in your choice, then the audience will be confused by it too.
La Guerre De Geeks

La Guerre De Geeks

BREVITY

Layering jokes with tags and double meanings help get you more and faster hits with the audience.  To that end, here are some other tactics to keep in mind:

  1. Thumbnail.  Analogies, similes and metaphors help paint mental pictures (and can be a punchline) if used correctly.
  2. Edit.  If you need to explain, edit your writing to make it as brief as possible.  The faster to the funny, the faster to a win.

TACTICS

The old military adage “No battle plan ever survived first contact with the enemy” holds true even in the battles of BattleCOM.

CHOICE
Again choice is important.  Do you:

  1. Choose quickly, to lock in a populist idea upon which you can build jokes to make people laugh?
  2. Choose something obscure that you are confident that you can quickly explain and exploit or make jokes about it’s obscurity?
  3. Wait to choose, the attempt to guess the most popular choices, hoping to be denied and possibly get insight on what the other Battlers have selected?

All of those methods of locking in your POV are valid, though waiting is most dangerous, as you may be left with a obvious choice and that no one had selected but that you have difficulty writing for.

RESEARCH
Know your Battle Field.  Research the subject matter (cult films, graphic novels, horror, sports video games), so you have some idea about what choices your fellow combatants may have made – and how to argue against them.

Know who you face, and research them, know their style.  Sometimes you may be at a loss to have a negative comment about someone’s choice – but you could just say something funny about them…

CURVEBALL
How can you keep your opponent of balance, but still keep the audience entertained?

Assume a character.  Take the Battlefield as the choice you represent.  This has the added benefit of thumbnailing some (or all) of your joke set-ups.  Plus your opponent isn’t facing “you”, they’re facing a character.
In the negative rounds, agree with them.  Use sarcasm and backhanded compliments to undermine the positive round of your enemy combatant.

PRESENTATION

With any form of comedy, I always say dress for the performance.  In stand-up, I say dress like yourself – but just yourself on a first date.  With BattleCOM dress in the way you wish to express yourself to the audience.

END ON A HIGH NOTE
Sometimes you get a big laugh, but still have more written material that logically follows.  Doesn’t matter – end your turn.  Brevity is the key.  Maybe, just maybe that next line could get an even bigger laugh, but just as possibly, it could fall flat.  Count on the audience to surprise you.

COSTUMES AND PROPS
A picture is worth a thousand words and dressing in costume, or hauling out an appropriate prop can seriously shortcut your set up time for a joke.  Plus the immediate impact of a costume (or prop) can be a source of entertainment on it’s own.

DIRECTION
Are you performing to the audience, or to your opponent?  It’s best to have that decided before you speak.  This will help you seem direct and cohesive in thought.

Can you use the limited stage available?  Know the limitations, and know that the Battle Marshal and your opponent will be giving you focus.  Wander if it will help, but remember strength comes from stillness.

Lead.  All the performers should be out there to entertain, that is rule one.  So feel free to (subtly) direct the action of your opponent and the Battle Marshal – this can possibly give you a big boost (or potentially give the big laugh to your opponent).

[youtube http://www.youtube.com/watch?v=czuJLCauft4&w=420&h=315]

SUMMARY
So we learned preparation, not just for the your topic, but for the stage is key.  Writing helps, but editing makes it better.  Using thumbnail explanations, with or without the use of props and costumes, give you an edge in explaining your points to the audience.  Researching the Battlefield can give you knowledge that will allow you to topple your opponent’s arguments.  Most importantly we learned that this show format is meant to be fun, for the audience and the performers.

Yours,
Ash

#KickAshSaves #SaveKickAsh

This post is different from any I’ve done, and very different from anything I expected to do.  This is the obituary of a comedy show.  I’m posting this, because there’s been a number of stories circulating, accusations being made, fingers pointed and I want people aware of how things have happened from my perspective.

text smallOn Friday March 8th I received a text from Pierre, the owner of Andrews Pub.  Pierre bought the pub a year ago last November, long after the Kick Ash show started at Andrews Pub (the third venue for the Kick Ash show).  The Kick Ash show has existed for approximately four years here in Montreal.

Pierre speaks European French, English isn’t his first language and since my French is fairly bad I’ve generally only dealt with him through intermediaries.  He’s never come to see a show, so it comes as no surprise he doesn’t know me.  That did not stop me from being shocked – felt like I was kicked in my gut to read:

Hi.   its pierre.  i canculed your show  in my pub. Cause  i hear a lot of bad thing about you.  i cant keep you in my place.

I don’t claim to be a saint, but I try to live by a simple philosophy, treat others like you want to be treated.  I try to figure out the motivations of people, especially those I don’t see eye to eye with.  Hearing that there’s a “lot of bad things” being said about me, that I’m the type of person that the owner “can’t keep” in his establishment flabbergasted me.  I can’t imagine what horrible things he’s heard about me that should see me banned from a bar, any bar.

During the time of Kick Ash, Andrews has been written of several times including in web reviews and the Montreal Gazette, all favorably.  The Kick Ash Show (somewhat infamously) bore witness to a young man’s decision to not commit suicide – spawning the hashtag #KickAshSaves .  Now I’m being told that with all the positivism that we brought to Andrews Pub, I’m unwelcome – that I’m some sort of moral leper that can taint the atmosphere of Andrews Pub.  How would you react?

It’s not fair to say it was unexpected.  There had been signs.  Taking it back to last spring, a girlfriend of a one of the comics was coming around.  She was enthusiastic about the show.  She complained to me that she didn’t have a job, and one of our favourite bartenders had left Andrews, so introductions to the senior bartender (someone she knew from her time spent at the venue watching the Kick Ash Show) were made and she was quickly hired.

Things progressed normally, for awhile.  Then there was a change.  I later learned that the new bartender had broken up with her comedian boyfriend.  A campaign of hate started.  First it was just heckling (escalating to a vicious rant directed at Asaf Gerchak during one of his last Montreal performances before moving to Australia).  I also received feedback from many sources:

  • Callers inquiring about the show being told it was cancelled
  • Out of province performers (and travelling companions) refused service for out of province ID
  • She’d stand outside the bar, and tell people not to come in on her smoke breaks, because the comedy show was crap
  • An entire table was refused service, because one person (the driver) ordered water (the full order was two pictures of beer and a water – denied)
  • Free beer for the comedians was cancelled
  • The pay schedule, based on drink sales, was unilaterally changed, and then changed again, each time being reduced
  • I heard stories of her ranting about how horrible comedy was, to anyone who’d listen.  Part of one of these stories ended up being recorded and I got to listen to it.
  • One comedian, a professional live painter who tours with music festivals (who’s been kind enough to immortalize the Kick Ash Show) got word back that people were questioning the authenticity of her work (her livelihood) and these rumours were traced back to… you guess who – the bartender who serves hate.
  • Flyers I paid for and had printed were seen in garbage cans
  • During one show she disappeared for over a half hour.  We lost patrons looking to drink
  • She (not the owner) continually threatened to cancel the show
Painted by Sharon Ep1c

Painted by Sharon Ep1c

Her rudeness and threats grew, she affected turn out at the show and she intentionally tried to kill bar sales while the show was going on.  Finally I contacted the owner for a sit down.  I explained to him our difficulties, and he said he understood.  Shortly thereafter we had some new bartenders in on our show night.  The show grew again, the vibe was happy, forgiving and welcoming.  I’d brag and say it’s one of the best open mic’s in the city.

Then I got the text that said the show was cancelled.  I was stunned, particularly since the last show had gone so well.  We had near 50 patrons, all enthralled in the show.  The line up was great, including a new host and headliner – winners of the King Of The Mountain.  I was told drink sales were very good.  Why would such a benefit to the establishment be so unceremoniously axed?

I asked if we’d get a farewell show, and was told it was finished.  The Kick Ash show has run for 4 years, 3 locations.  It’s been a lot of work with no real financial gain.  The primary joy I’ve gotten out of the room is seeing and helping new acts, giving encouragement and stage time to those I like and making sure everyone got a fair chance.  I was accused of stealing my light, my mic and cable.  I had been in the habit of leaving them locked in the bar – and at times had found my gear used and abused.  I made it clear, it was my equipment.  I had also had one of their speakers fixed so I didn’t need to cart in my own speaker and amp each week – something I didn’t even get a “thanks” for.  Maybe I should take a rest.  BattleCOM deserves more of my time.  Still suggestions and offers of rooms came in.  There were some places that didn’t see me as a social leper.  I started a look around.

Then I found out.  The day after I picked up the last of the Kick Ash things at Andrews Pub, there was a comedy show at Andrews.  This was planned.  There was still some advertising for the Kick Ash Show up around the city and online, and someone was going to capitalize on it.  That person?  The bartender who hates comedy.  The room I built up is now being run by the person who’s tried to kill it for the last 6 months.  The show’s host was the only person I ever banned from the Kick Ash stage.

Another person who seemed involved is a friend who’s not in comedy but in Media Development.  He’s working on a concept and had asked my advice.  I had previously directed him to people with talents he needed, and he’s been thankful, because I’ve done right by him.  He had taken his new idea around to various locations after we chatted but had come back to Andrews.  His idea is neat.  He wants to live stream comedy shows, as well as archive the material for future use.  I told him he’d have to get permission from the performers involved or maybe he could do it on another night at Andrews.  Just keep me in the loop.

I wasn’t in the loop.  The plan was to do the show on a Wednesday, but I had loaned out my mic and light to a friend – and they showed up to no equipment.  My friend claims that the following week he was given a day’s notice, by the bartender and owner, that he could do the show on Tuesday – and that my show wasn’t there anymore.  I’m hurt he didn’t reach out.  We’ve texted each other a few times now, but haven’t had a chance to sit down face to face.

Now there is a new show in the space I developed.  A show that doesn’t pay comics like Kick Ash did.  A show that records and streams performances, which, according to the comedians I spoke with – no one was asked for their permission.  They may be under the impression, as there is no cover the bar is a public space and if you do anything in public, it’s fair game.

I have many fond memories of Andrews, of most of the staff, many of whom are my friends BUT I want to ask the comedians, and people who enjoy watching comedians – is that how you’d like to be treated?  Some of you have been asked to perform at Andrews, some already have since the turn over.  I don’t want to forbid anyone anything.

“Stage time is stage time.”  “Hell, in NYC there are pay to play rooms.”  The reason pay to play rooms exist in NYC, is because people are willing to pay to get on stage.  Here in Montreal, do you want paid shows to go away?  Do you want to start a room where the community doesn’t care if someone else comes in and undercuts you for it?  If you said no to that, then please say no to performing at this new Tuesday night show at Andrews Pub.  Say no to supporting it, to buying beers at that venue while their Tuesday night show exists.

If it’s moved to another night, like my friend said it was supposed to be on, I’m fine with that.  Use that stage time to get better, but protect your image.

I’m still on the fence about restarting Kick Ash again.  I’d like to know I have the community’s support.  I’d actually like to know there is a community that has pride in itself.

Yours, Paul Ash

Yours, Paul Ash

How To Stand-up Comedy Contest (part III)

Kick Ash November 2009 CJ WaterhouseIn this, part three about stand-up comedy contests, I’ll explain how I run my monthly comedy competition, Kick Ashiest, as part of the weekly open mic The Kick Ash Comedy Show.  Again I’ll be explaining the reasons for the choices I make. The Kick Ash Comedy Show is a weekly open mic starting 9pm every Tuesday in Andrews Pub, located at 1239 Guy, Montreal, Canada.  Acts either get asked to perform by me, or book with me by sending a message to the Kick Ash facebook fanpage. The monthly competition is Kick Ashiest, a play on the show’s name, which is a play on my name.

KAshiestFKick Ashiest

Kick Ashiest (Kick Ash’s monthly competition) runs every 5th week.  From the previous 4 King of the Mountain shows I pick my favorite two performers each week.  I occasionally ask for feedback from friends who attend the show but generally I try to take note of those that make a special connection with the audience.  It’s my choice, but hey, it’s my name on the show.  I never tell anyone that they are auditioning for me, and I’ve not corrected anyone who thinks the audience vote for King of the Mountain selects the Kick Ashiest participants (well, until now).

The goals of this competition are:
1) to show my confidence in new acts
2) to put together the best show of the month, and let people know it is the best of the month.

How it works

The show is set up with a host (most often me), an opening act, followed by those in the competition (in a predetermined, random order) and ending with a closing act while scores are tabulated.  The show ends with me naming and awarding the cash prize to the winner.

Expert Judges

Expert Judges

Scoring works on two points.  An audience vote and judges.  Yep, judges.  Most comedians who dislike ‘contests’ top three peeves are: judges, judges and vomit on their shoes.

“I’m a comic’s comic.”
“Judges don’t understand the craft.”
“Comedy is subjective, if they don’t like what I do – how can I win?”

What many comedians forget, is that every time we go onstage we’re judged.  Every joke we tell, audience members judge, if they like the joke, they laugh.  If they don’t, we get silence.  Selecting two specific people to be judges doesn’t change that, it just makes it two specific people.  That said, I ask certain people to be judges.  People I know, or who are recommended to me, as involved in the arts or even specifically comedy.  I’ve had pro comics, comedy bloggers, news host, burlesque performers and musicians all work as judges.

Judges judge on two attributes:
1) Material: how well written are the jokes?  How original and unique a take does the performer have?  Does the material flow from one subject to the other in a seamless fashion?
2) Stagecraft: how comfortable is the performer onstage?  Do they interact well with the audience, are they natural onstage or awkward?  Do they know how to use a microphone?  How professional do they seem, have they taken notes onstage?

Each attribute is scored out of 5, each judge adds the totals for each performer together for a potential of 10.  The two judges’ scores are added together for a total out of 20.

Audience vote:
The audience, via ballot, vote for their two favorite acts.  The reason behind voting for two was covered in Part II of this article.  As the closing act performs, I quickly tabulate the audience votes. Bonus points are added to the judges’ scores:
most votes: +5
second most: +4
third most: +3

So, if someone so wows the judges to get a perfect score, as well as wows the audience to get the most votes – the highest score attainable is 25.  I don’t think I’ve ever seen that happen.

Tuesday 9pm at Andrews Pub

Tuesday 9pm at Andrews Pub

Why?

I chose the acts, because I like the acts.  I get to see the show I want to see.  I show confidence in the acts I like.  I want them to know I believe in them.

There are two judges, to account for differing tastes in comedy.  Just like every audience member, each judge will view each competitor based on their own merits.

Audience bonus points enter an element of wild card.  If someone can bring the entire audience behind them, they have a better chance of winning.

Added to the show are an opening act and a closing act.  The opening act prevents anyone from feeling like they are first up.  The closing act gives us time to tabulate the scores so we can award the winner the prize.

Did we say prize?  Maybe this is people’s why; $50!  Yep, living the dream.

The Kick Ash Comedy Show is every Tuesday, at Andrews Pub, 1239 Guy in Montreal.  Show time is 9pm sharp, doors open at 11am.

How To Stand-up Comedy Contest (part II)

Tuesday 9pm at Andrews Pub

Tuesday 9pm at Andrews Pub

In this, part two about stand-up comedy contests, I’ll explain how I run one of the two different competitions which are part of  The Kick Ash Comedy Show.  I’ll also explain the reasons for the choices I make.

The Kick Ash Comedy Show is a weekly open mic starting 9pm every Tuesday in Andrews Pub, located at 1239 Guy, Montreal, Canada.  Acts either get asked to perform by me, or book by sending a message to the Kick Ash facebook fanpage.

The two competitions are Kick Ashiest and the subject of this article, The King of the Mountain.

King of the MountainKing of the Mountain

King of the Mountain runs each week that isn’t the Kick Ashiest (the show’s monthly competition).  In a nutshell, the audience votes for the favorite two acts to come back the following week to act as host and closer (and earn a little cash).  This competition started because I was beginning to feel host burnout.  Each week, with the same regulars I found it hard to keep it fresh 52 times a year.  Rather the continually asking others to host a show with my name on it I turned it into a competition. Occasionally winners selected cannot perform the following week so I step in to fill their role and I act as the defacto replacement guy.  Also, I sometimes schedule myself a spot and get voted in as a King of the Mountain too.

The two primary goals of this competition are:
1) to have acts advertise to their networks (friends, family and fans), raising awareness of the show brand, getting a few more butts in seats.
2) have the winners feel recognized, and given a chance for advancement.
3) encourage audience members to remember the names of performers they like

A game of king of the hill in progress

a group of 3rd graders enjoying a game of king of the hill

The competition’s name comes from two sources., the city of Montreal’s name and a sadistic kids game.  Montreal is a contraction from French “Mont Royale” or “Royal Mountain”, the city’s most prominent landmark (next to Chez Paris Gentlemen’s Club).  King of the hill, for people who grew up with protective parents, is a “game” where children would pick a high spot (such as a hill or the top of the monkey bars) and whoever  held that spot at the end or the longest, by pushing down and tripping their competition, was the king.  (Losers could be identified by needing to wear hockey equipment and eating via straws).  By combining those two things we have King of the Mountain.  Every performer who goes onstage is eligible, including those who won the week before – so it is possible to build a streak.  King of the Mountain thus refers to comedy king of Montreal.

How It Works

Every nonperforming member of the audience receives a ballot through the show. (Other comics are encouraged to come support their friends).  The host is tasked with reminding the audience about the competition throughout the show and the names of those competing.  On each ballot, the audience members are asked to write down their favorite two acts, the order doesn’t matter, the spelling doesn’t matter – but it has to be two.  After the show, I collect the ballots, and within the next few days contact the two acts that received the top most amount of votes.  They have the option of returning the following week for a paid spot, either as host or to close the show.

Strengths

Why do I run it this way?  Having an open ballot encourages the performers to bring out people to the show, more friends = more votes (unless your friends don’t vote for you because the all secretly hate you).  Choosing a second performer means they’ll have to honestly pick someone alongside their friend.  A written ballot is hidden, so there is no public “clap off” or humiliation to the acts.

 Weaknesses

vote-ballot-boxThe main weaknesses to this format are related to the ballots.
1) Ballot stuffing has occurred, but generally has been easy to recognize when one person has dropped in a number of extra ballots.
2) Booking two comedians who share a social circle, is a little dangerous.  If their friends decide to preselect who’ll they’ll vote for and not judge it on the performances they see that night – it’s a bit dishonest and unfair.
3) A comic could potentially suggest to his friends to use their second vote on the worst act of the night.  To my knowledge, this has never happened, and would be hard to co-ordinate to have a large enough impact.
4) Trust.  I’m the sole person counting votes.  If people don’t trust me to be fair and honest, then why participate?

Impact On The Show

Currently, I would say this format has been a positive impact on the show.  Generally new performers are more excited to perform, audiences have seen an elevated level of quality from the comedians, so word of mouth advertising has increased.  Newer performers who win are given the opportunity to stretch themselves by closing the show or hosting for the first time.

Most of all, people are paying attention to who’s had the longest streak.  The current streak record is 4 shows…  Who’s going to beat that?

Yours,
Ash

Battle-COM (v2.02)

The Geek Battle of Comedy Shows

The Geek Battle of Comedy Shows

Take a large dose of “The Big Bang Theory”, a wallop of an “8 Mile” rap battle and stir in a dash of “Let’s Make a Deal” and you have an idea of what “Battle-COM” is.

Battle-Com sees two performers skewer pop culture and each other in the name of entertainment.  Paul Ash stands between these forces playing the role of Battle Marshal, introducing the topics (Battle Fields) and players (Battlers).  The crew of Battlers fight for the right to be called a Battle Master and Battle Champion.  That’s right – they use the word Battle a lot.

This is a mental blood-sport, an ego bruiser that is judged by the audience.  When you enter the Battle Dome you know it’s not a typical comedy show.  Both sides of the stage are draped with a Battle Banner, each in a colour which matches either side of the Battle Flag you were handed as you entered.  A podium with a silver bar sits in the middle of the stage.

February 8th at the Comedy Nest in Montreal

February 8th at the Comedy Nest in Montreal

The show starts with a reverse curtain call, introducing you to the Battlers – for the audience judges their fate.  All leave the Battle Arena (stage) except the Battle Marshal and two Battlers.  A Battle is a quick affair; it’s a best 2 out of 3 (with ties gaining no points).  First round the Battlers are to be positive about their position on the Battle Field (topic).  Each Battler has approximately 90 seconds.  The Battle Marshal calls for a vote and the spectators raise their flags – colour coded to the Battler whose position they liked best.  Second round, they are to be negative about their opponent’s position – a position that was only revealed as the opponent went on stage.  If it gets to a third round, the Battlers can choose to be negative or positive – it’s a free-for-all round.  When a winner is declared, the loser exits the stage and a new Battler is called to challenge.  If a Battler manages to defeat two opponents in a row they are retired as a Battle Master and two new Battlers take the stage.  After all Battlers have had a turn a Battle Champion is determined.  In the case of no Battle Masters, the Last Battler Standing (the final Battler with only one win) is declared the Battle Champion.  If two Battle Masters have been declared, they face off against one another for the title of Battle Champion.  If there is only one Battle Master they’ll face off against the Last Battler Standing, but they’ll begin the match with a win already awarded.  The Battle Champion claims his prize, leaves the stage as the Battle Marshal declares the next Battle Field and it begins anew.

The Next Battle-COM is 10:30pm Friday February 8th at The Comedy Nest in the Pepsi Forum (Atwater / St-Catherine).

Battle-COM

  • The Battle Fields:
  • – Most romantic comic book couple
    – Most inspiring Black role-model from sci-fi or fantasy
    – Sexiest action hero from film or video games

 

 

Your Battlers:
Ryan Stick – Season Xero
Jason Yearow – Village Idiot Comedy
Dan Derkson – On The Spot, Rocky Horror Live
Emma Wilkie – There’s Something Funny
Tessa Brown – (writer)
Chris Sandiford – Try a Variety Show, Nurse Jackie
Michael Lifshitz – Conquer Your Mountains

Looking forward to seeing you there!